French Impressionist Painter, 1848-1894 Gustave Caillebotte was born on August 19, 1848 to an upper-class Parisian family. His father, Martial Caillebotte (1799-1874), was the inheritor of the family textile industry and was also a judge at the Seine Tribunal de Commerce. Caillebotte father had been twice widowed before marrying Caillebotte mother, C??leste Daufresne (1819-1878), who had two more sons after Gustave, Rene (1851-1876) and Martial (1853-1910).  Related Paintings of Gustave Caillebotte :. | Road | Private Collection | Racing boat | Roses-The Garden in Petit-Gennevilliers | Snow-covered roofs in Paris |
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Anatoli Ilych Vasiliev
Anatoli Ilych Vasiliev (Russian: 18 March 1917, Petrograd (former Saint Petersburg), Russian Empire e June 4, 1994, Saint Petersburg, Russian Federation) was a Russian and Soviet realist painter, who lived and worked in Leningrad. He was a member of the Saint Petersburg Union of Artists (before 1992 named as the Leningrad branch of Union of Artists of Russian Federation), and regarded as one of the representatives of the Leningrad school of painting, most famous for his historical paintings and etudes done from nature.
REYMERSWALE, Marinus van
Flemish Northern Renaissance Painter, ca.1490-1567
TRAVERSI, Gaspare
Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749